LATIN AMERICAN PERSPECTIVESPolitical Documentary Film and Video in the Southern Cone (1950s-2000s)Issue 188 - Volume 40 - Number 1
Introduction
Political Documentary Cinema in the Southern Cone
Tomás Crowder-Taraborrelli and Antonio Traverso . . 5
Articles
From Recording to Intervention: History and Documentary Filmmaking in Argentina
Pablo Piedras. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Revisiting the Argentine Political Documentary of the Late 1950s and Early 1960s
Moira Fradinger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Anarchism and Counterinformation in Documentaries: From Civil War Spain to Post-2001 Argentina
Antonio Prado. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Uruguay 2008: The Year of the Political Documentary
Jorge Ruffinelli . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Personal Museums of Memory: The Recovery of Lost (National) HIstories in the Uruguayan Documentaries Al pie del árbol blanco and El círculo
David Martin-Jones and María Soledad Montañez. . . 73
The Split-Person Narrative: Resisting Closure, Resistant Genre in Albertina Carri's Los rubios
Kristi Wilson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Labyrinths and Lines of Memory in Documentary Film:Memoria del saqueo and Los rubios from a Philosophical Perspective
María Belén Ciancio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
Representing Absences in the Postdictatorial Documentary Cinema of Patricio Guzmán
Patrick Blaine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Framing Ruins: Patricio Guzmán's Postdictatorial Documentaries
Juan Carlos Rodríguez . . . . . . . . . . . . . . . . . . . . . . . . . . . . .131
Documentary Film from the Southern Cone during Exile (1970-1980)
Javier Campo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .145
Spaces Recovered by Memory: Film Language and Testimony in Parot's Estadio Nacional
Gloria Medina-Sancho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Forensic Memory, Responsibility, and Judgment: The Chilean Documentary in the Postauthoritarian Era
Walescka Pino-Ojeda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
The Making of Chile: WIth Poems and Guns: A Personal Recollection
Marjorie Woodford Bray . . . . . . . . . . . . . . . . . . . . . . . . . . . .187
Films
Featured Film: Corazón de fábrica (Heart of the Factory)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Latin American Dreaming: A Neoliberal Vision for Retirement
Kristi M. Wilson and Tomás Crowder-Taraborrelli . . . . . .202
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